A Contemporary
Co-operative Gallery
in Boston's SoWa
Art & Design District

New England Collective

New England Collective

New England Collective

GALLERY HOURS: Mar-Oct, Thu-Sun, 12-5pm; Nov-Feb, Thu-Sun, 12-4pm, and by appointment

Agusta Agustsson

Agusta Agustsson

Agusta Agustsson

Artist Statement:
My work straddles the space between chance and intention. I print my fabric on a gelatin plate using plants I find on my walks or packaging repurposed from the grocery store. I layer the images responding to whatever is already on my fabric. When the printing is done I lay out my fabrics on the floor and ideas begin to percolate. This past year climate change and pollution have been dominating my thoughts whether it is melting sea ice or seas filled with plastic. I don’t think in terms of narrative or illustration, but rather through the emotional impact of shape, color and texture. I hope people react to my quilts on a visceral level.​

Artist Bio: 

Agusta began making quilts as a painting major at Massachusetts College of Art. Concurrently she created silkscreened posters which received local, national and international recognition at the Graphic Workshop. Many of her pastel landscapes are in numerous corporate collections. She worked as an art teacher for 22 years. The Museum of Fine Arts, Boston acquired one of her quilts in 2017.

https://instagram.com/agustaagustsson
Mark Jarzombek

Mark Jarzombek

Mark Jarzombek

Artist Statement: 
Since I was in graduate school, I have been making art, mostly collages, as many of my good friends know. Over the years the work has expanded into something like ‘wall sculpture.’ I use material found on construction sites (like wood, bits of foam, paint can tops etc.), or found along walks in the forest (like bark and rocks), or material that was left over from our kitchen remodeling (like screw, knobs, and bits of plastic). I also periodically raid construction site dumpsters. I mount material in ways that - hopefully – is a bit surprising, sometimes overt, sometimes covert. And I love color. 

Back in the mid 1970s I was with a group of students from the ETH-Zurich who studied with the architect and collage artist Bernhard Hoesli (1923–1984).  During my studies I traveled with the architect Franz Oswald and the New York artist Robert Slutzky (1929 - 2005) to Italy for collage-making workshops. Slutzky taught us about the intimate relationship between form and color palettes. Trips later in my life to India and other places in the world open my mind to other ways to incorporate colors and narratives. The pieces are constructed in a way that is both precarious yet stable. They are designed as part ‘painting’ and part ‘sculpture,’ meant to be seen from various angels and distances.

Artist Bio: Mark Jarzombek is Professor of the History and Theory of Architecture at MIT. He has been teaching since 1988. He has written numerous books and has a design and research practice called the Office of (Un)Certainty Research with his collaborator Vikramaditya Prakash. Their work has been exhibited at the Venice Biennale (2021 and 2023) and elsewhere. Over the decades Jarzombek developed his artistic practice, drawing on his early training with the Swiss collage artist Bernhard Hoesli. He produces wall-mounted works that are somewhere between painting and sculpture. Until recently, he has never publicized his work which were known to a small circle of friends and collectors.
Ronni Komarow

Ronni Komarow

Ronni Kamarow

Artist Statement: 
As an artist, I feel the need to connect my work to my own life and personal surroundings; this tends to take many forms in regard to types of media, though the themes and inspirations are fairly constant.
 
My work is consistently rooted in my immediate surroundings. Imagery is taken from objects and spaces in my home. Some work is narrative based, and derived from family relationships and personal stories.

​I am constantly striving for a sense of intimacy and connection, seeking to offer a more subtle message that invites the viewer to engage, explore and augment.

Artist Bio: 
I come from a family of artists, and so art has always been part of who I am and what I do. I hold a BFA in drawing (with a minor in woodworking) and an MFA in Interdisciplinary art. I am currently on the Graphic Design and Fine Art faculty at Newbury College. I am a curator, an avid traveler, a neighborhood activist, a competitive runner, a biker, a reader, a gardener, and a mom. These all seem to inspire my art at one time or another.
Susan Leskin

Susan Leskin

Susan Leskin

Artist Statement: 
I enjoy creating ambiguity in my work, both in imagery and mood. Pieces are often dreamlike, objects or figures partially hidden or revealed, often elusive. I'm inspired by natural and urban landscapes, and by interiors. My most recent work employs high flow acrylics, old papers, pencil, and mica.
Artist Bio: 
Susan has moved among different mediums for years but recently returned to her first love - collage. Her use of deep color and strong line are constant throughout her work. Her pieces are sometimes abstract, sometimes impressionist, often both within the same work.  Her greatest inspirations are June Leaf, Milton Avery, and Ben Shahn. Susan has taken many classes and workshops throughout her artistic career. She has shown her work in several group and solo exhibitions in the greater Boston area, and also at Jamaica Plain Open Studios and Roslindale Open Studios for many years.
Rebecca Anne Nagle

Rebecca Anne Nagle

Rebecca Anne Nagel

Artist Statement: 
Training for many years and becoming a professional figure skater, the graceful physical process of creating visible rhythmic patterns on huge ice canvases strongly influences my work. That physicality energizes the edgy, abstract mark making to produce movement and emotional impact. Using pastels, acrylics, oil and a wide variety of collage materials, a bond is forged between the integrity of the subject matter and the empathy of the viewer. Materiality is ever prominent in my creative process and I often use it to define the why and how of a piece. What excites me is that through the material’s properties certain issues and challenges arise and as they are resolved they give a soulful birth to a body of work.

Artist Bio: 
Graduating from the New England School of Art & Design and Northeastern University in the early 1980s with a degree in Visual Communications, I began my career in marketing before taking an unexpected turn—joining the World Premier Tour of Disney On Ice. That experience launched a career as a professional figure skater and choreographer, which continues to shape the movement and rhythm of my artistic practice today. After retiring from coaching, I remained connected to the sport as a United States Skating Official. In 2021, I returned to my artistic roots, earning a BA in Fine Art from Montserrat College of Art, where I continue to explore the intersections of motion, form, and visual expression.

Rani Sarin

Rani Sarin

Rani Sarin

Artist Statement: 
My work is a constant push and pull of seemingly opposite forces and the search for the underlying harmony of our common human experience. I grew up in India, a dynamic world of vivid color and design. Rooted in India, I have lived and thrived in the US and Europe my entire adult life. My formal education is in Textiles, English Literature and Printmaking. My art is a joyful self expression that uses my hands, my inner life, and my experience of the physical world to create something new. As a printmaker who also makes handmade paper, and works with textiles , I am influenced by the complexity and traditional Indian approach, the spare Scandinavian sensibility and the experimental American approach that inform my unique use of color, space and form. My mixed media paintings and my collages are a vehicle to explore these diverse and seemingly disparate forces, revealing their underlying harmony.

I am done when my work sings.

Matthew Simons

Matthew Simons

Matthew Simons

Artist Statement: 
Matthew Simons is a visual artist based in Easthampton, Massachusetts, who seeks out visual conversations that are ­dynamic, unorthodox, and experimental. He is driven by the ­excitement of transforming the ordinary into the extraordinary.

Influenced by many years as a graphic designer, Simons’s work often reflects a flat, mechanical aesthetic that blends ­precision with spontaneity. His practice draws inspiration from pop ­culture, graffiti, texture, and line—elements that merge to ­create a distinctive visual language.

Primarily working with ink on paper, Simons uses printmaking techniques as a foundation, occasionally integrating ­collage, drawing, and painting to deepen both texture and ­meaning. Through this process, he strives to balance control with ­experimentation, creating works that invite reflection, curiosity, and dialogue.

Jo Smith

Jo Smith

Jo Smith

Artist Statement: 
“I've been painting barns throughout my career. In 1994 I moved to Western MA and lived on a sheep farm for 7 years. During this amazing time I became extremely connected to the agricultural landscape. 32 years later, I now live on land that once was a dairy farm.

Barns fascinate me for their openness, history, and working spaces. I love the way light filters through the walls of barns and the beauty of the evidence of being in constant relationship to the elements. Walking into a barn feels almost cathedral-like to me, a great symbol of our dependence on the land and a place to give thanks for all the
land gives to us.

This series of paintings is inspired by the tobacco barns of the Connecticut River Valley, with their slatted sides and striking geometric forms. In this work, I explore color, texture, and abstraction, reducing these familiar structures to bold, minimal shapes that invite viewers to see barns in a new way.”

Artist Bio: 
Jo Smith is a painter from Western Mass. She is known for her bright colors, sense of whimsy and a depth that is profound. This curious combination can be understood when you learn about Jo.

Jo studied art in college and lived off-campus twice, once in NYC with 2 artists, (Elaine Reicheck and Niki Berg) and once in Kenya with the school for international training. “My focus in Kenya was on a cross-cultural analysis of art through field work with the Pokot tribe and in Kisii, at a soapstone quarry. I became deeply interested in undeveloped and unschooled forms of art as well as the universal need for art and self-expression. I started to think deeply about my time in NYC and my time in rural Africa”. It was the juxtaposition of “high art” and the universal human need for expression that dominated Jo’s mind. She was heavily influenced by artists like Joan Miro whose playful forms and bright colors crossed the cultural barriers and talked about such dualities and contradictions. These themes are still part of her work today. “I am constantly being pulled between making “good art” and just allowing myself to paint intuitively and focus on self-expression and our human experience”.

After college Jo started teaching art.  In 1994 she moved to Western Mass to paint full time. In 1995 she went to graduate school for Art therapy as she became interested in the unconscious mind and its contribution to art making. She continued to focus on understanding that there is a deep drive within all of us to be creative and that this drive is ancient and crosses all cultures but she also started to believe that art making is essential and healing.

Even as Jo became an Art Therapist and worked with clients in psychiatric settings she was painting. “I have always had a studio of
my own, it is essential. I am constantly in conversations about one’s relationship to self, others and the community. It is the intersection of the human condition and the creative drive that fuels my own
creative process.”

Jo currently works and paints at Jo Smith Studio Gallery located at 9 market street in Northampton, MA. Her gallery is open to the public the 2nd Friday of the month (during Northampton Arts Night Out) or by appointment. “Being open on Northampton Arts Night Out gives me the opportunity to interact with our local community and have these