A Contemporary
Co-operative Gallery
in Boston's SoWa
Art & Design District

Youngsheen A. Jhe

Flowing: The Flow of Love

Marian Dioguardi

Still Refections

NAWA Massachusetts

Playing With Fire

GALLERY HOURS: Mar-Oct, Thu-Sun, 12-5pm, Nov-Feb, Thu-Sun 12-4pm and by appointment

Matthew Simons

Matthew Simons

Matthew Simons

Artist Statement: 
Matthew Simons is a visual artist based in Easthampton, Massachusetts, who seeks out visual conversations that are ­dynamic, unorthodox, and experimental. He is driven by the ­excitement of transforming the ordinary into the extraordinary.

Influenced by many years as a graphic designer, Simons’s work often reflects a flat, mechanical aesthetic that blends ­precision with spontaneity. His practice draws inspiration from pop ­culture, graffiti, texture, and line—elements that merge to ­create a distinctive visual language.

Primarily working with ink on paper, Simons uses printmaking techniques as a foundation, occasionally integrating ­collage, drawing, and painting to deepen both texture and ­meaning. Through this process, he strives to balance control with ­experimentation, creating works that invite reflection, curiosity, and dialogue.

460B Harrison Ave. #B-6 | Boston, MA 02118

617-542-1500 | director@galateafineart.com

GALLERY HOURS: Thu-Sun, Mar-Oct, 12-5pm; Nov-Feb, 12-4pm, and by appointment

Jo Smith

Jo Smith

Jo Smith

Artist Statement: 
“I've been painting barns throughout my career. In 1994 I moved to Western MA and lived on a sheep farm for 7 years. During this amazing time I became extremely connected to the agricultural landscape. 32 years later, I now live on land that once was a dairy farm.

Barns fascinate me for their openness, history, and working spaces. I love the way light filters through the walls of barns and the beauty of the evidence of being in constant relationship to the elements. Walking into a barn feels almost cathedral-like to me, a great symbol of our dependence on the land and a place to give thanks for all the
land gives to us.

This series of paintings is inspired by the tobacco barns of the Connecticut River Valley, with their slatted sides and striking geometric forms. In this work, I explore color, texture, and abstraction, reducing these familiar structures to bold, minimal shapes that invite viewers to see barns in a new way.”

Artist Bio: 
Jo Smith is a painter from Western Mass. She is known for her bright colors, sense of whimsy and a depth that is profound. This curious combination can be understood when you learn about Jo.

Jo studied art in college and lived off-campus twice, once in NYC with 2 artists, (Elaine Reicheck and Niki Berg) and once in Kenya with the school for international training. “My focus in Kenya was on a cross-cultural analysis of art through field work with the Pokot tribe and in Kisii, at a soapstone quarry. I became deeply interested in undeveloped and unschooled forms of art as well as the universal need for art and self-expression. I started to think deeply about my time in NYC and my time in rural Africa”. It was the juxtaposition of “high art” and the universal human need for expression that dominated Jo’s mind. She was heavily influenced by artists like Joan Miro whose playful forms and bright colors crossed the cultural barriers and talked about such dualities and contradictions. These themes are still part of her work today. “I am constantly being pulled between making “good art” and just allowing myself to paint intuitively and focus on self-expression and our human experience”.

After college Jo started teaching art.  In 1994 she moved to Western Mass to paint full time. In 1995 she went to graduate school for Art therapy as she became interested in the unconscious mind and its contribution to art making. She continued to focus on understanding that there is a deep drive within all of us to be creative and that this drive is ancient and crosses all cultures but she also started to believe that art making is essential and healing.

Even as Jo became an Art Therapist and worked with clients in psychiatric settings she was painting. “I have always had a studio of
my own, it is essential. I am constantly in conversations about one’s relationship to self, others and the community. It is the intersection of the human condition and the creative drive that fuels my own
creative process.”

Jo currently works and paints at Jo Smith Studio Gallery located at 9 market street in Northampton, MA. Her gallery is open to the public the 2nd Friday of the month (during Northampton Arts Night Out) or by appointment. “Being open on Northampton Arts Night Out gives me the opportunity to interact with our local community and have these

460B Harrison Ave. #B-6 | Boston, MA 02118

617-542-1500 | director@galateafineart.com

GALLERY HOURS: Thu-Sun, Mar-Oct, 12-5pm; Nov-Feb, 12-4pm, and by appointment

Irene Stapleford

Irene Stapleford

Irene Stapleford

Artist Statement: 
Upstretched branches, linear form, living presence: 
“Trees are poems the earth writes upon the sky
We fell them down and turn them into paper,
That we may record our emptiness.”
                 — Kahlil Gibran, The Prophet
Inspired by landscapes, dreams, and memories, I make paintings incorporating energetic figurative gesture, layered color, organic geometry such as tree branches, triangle or dot patterns, and sometimes digitally manipulated figures or objects via image transfer.
Upstretched arms of tree branches, tracing imperceptible yet undeniable growth and linear form, have been a recurring theme in landscape and abstraction. Working outside painting directly from the subject allows particular, distinct “personalities” to emerge. Trees affect our quality of life, yet are overlooked and underappreciated: unsung climate change heroes, property value anchors, intelligent elders, and constant, gracious companions. My paintings have been transitioning to more powerful massing of tree forms in silhouette, framed against bright, constrasting skies. I look forward to seeing where this shift in palette and tone takes me.


Artist Bio: 
I’m a practicing artist and graphic designer, earned my BA and MFA in fine art, and have taught classes in both fine art and graphic design at the deCordova Museum, Worcester Museum of Art, Greenfield Community College, and University of Southern Maine. I have lived in New England for the past quarter-century, and am staying for the foreseeable future, for love of the trees, seasons, and compelling scenery taken in while driving. I currently reside in Merrimac, MA with my two daughters and one cat.

460B Harrison Ave. #B-6 | Boston, MA 02118

617-542-1500 | director@galateafineart.com

GALLERY HOURS: Thu-Sun, Mar-Oct, 12-5pm; Nov-Feb, 12-4pm, and by appointment

Don Warner

Don Warner

Don Warner

Artist Statement:
After a hiatus of over 40 years, I started painting again in 2020.  I primarily do portraits, and figurative drawings and paintings.  My work is not intended to record life like a photograph, but to express a sitter’s thoughts as I see them.  
I paint in an expressionistic style, that gives me the freedom to not copy nature, but instead to use it as a starting point to convey my vision, that can sometimes be at odds with natural appearances. My tendency is to work fast that can lead to "mistakes", but also to new discoveries. 

The artists that have influenced me the most are Van Gogh for his revolutionary use of color, and ability to reflect mood and emotion; Modigliani for his simplification of shapes, removal of extraneous details, and uneven application of paint; and Schiele for his boldness, and expressive lines and marks. 

460B Harrison Ave. #B-6 | Boston, MA 02118

617-542-1500 | director@galateafineart.com

GALLERY HOURS: Thu-Sun, Mar-Oct, 12-5pm; Nov-Feb, 12-4pm, and by appointment

Jay Wu

Jay Wu

Jay Wu

Artist Statement:
I never have much to say about my work. They are not really about anything other than maybe an attempt to offer homage to the ordinary objects and places that are special to me. I feel that I have already projected myself into the work during the process of making and therefore find it difficult or unnecessary to supplement the work with words afterward. Thus, instead of having a statement about the work, it is more about the need and the want behind the work.
 
When I sit in front of you, I could not help but look at you with awe, thus I look at you timidly as if I am on a mission to get it right. No longer am I painting with a theme in mind or a statement to make, but with the hope and yearning to offer the proper love and respect.

Diana Zipeto

Diana Zipeto

Diana Zipeto

Artist Statement:
My Liberty Series paintings investigate issues of freedom and equality. The paintings express these ideals as both formidable and fragmented, and seek to engage with them in a new way.

Starting with paper photographs, I fold the images to give them a new 3rd dimension, communicating both disruption and resilience. The ability to fold and reconfigure uncovers new meanings in familiar images. I make large paintings of the fragile paper constructions to fix transitional moments in a solid form.

As an American female raised in the 1980s, I grew up in a time when liberty and equality seemed inevitable and always advancing. My Liberty paintings question that inevitability, and look at the uncertainty and possibility in our new era.
The Statue of Liberty is a shared American icon that means something to almost everyone, but can mean something different to each person. The Liberty series examines those meanings and the nature of shared ideals in a time of change.

Artist Bio:
Diana Zipeto studied painting and illustration at the Massachusetts College of Art and Design. She has exhibited in group and solo exhibitions, including the Ceres Gallery in New York, the Jonathan Ferrara Gallery in New Orleans, and numerous Massachusetts galleries. Her paintings are in private collections and public spaces in the United States. In 2017, she received an artist grant from the Massachusetts Cultural Council to produce the exhibit, Women Looking at Women. Diana lives in Lowell, MA, and works in Lowell's energizing artist community at Western Avenue Studios.

dianazipeto.com

460B Harrison Ave. #B-6 | Boston, MA 02118

617-542-1500 | director@galateafineart.com

GALLERY HOURS: Thu-Sun, Mar-Oct, 12-5pm; Nov-Feb, 12-4pm, and by appointment